With genie wishes, the Genovean mafia, and Doja Cat’s torso - LOVE DON’T COST A KING is playful and littered with fun.

Gaslighting girl bosses are invited to board the Spirit of Tasmania, where captains Samantha Andrew and Mel O’Brien bring comedy cabaret to the high seas (well.. Bass Strait cruise route anyway).

PASH is - like any good kiss - fleeting, exciting, and lingers after it finishes.

The brainchild of Sophie Joske and Elly Squire brings to life a plethora of town citizens to fill out the digital show.

Morning and Klemens present an entertaining satire of businesswomen living for the image of themselves.

“An opening remark “enjoy the trip” accurately warns the audience of the artistic mood that is to follow.”

Annie Boyle, Krutika Harale, and Kelly Mac resent three generations in a short and sharp mix of single act sets and a comedic question time.

Part monologue, part poetry, part sound and light show… the digital fringe show has both a gentleness and durability about it.

Karen from Finance works til 3am, sleeps in her Honda, then gets in early to empty and restock the dishwasher and get all the boys a coffee every morning. She makes up the single team member in finance and she loves it. More accurately, she lives for it.

A slew of eclectic characters, a handful of big themes, and a single performer - a precarious recipe for any performer, but not an impossible one for Hideto Ambiguous.